Showing posts with label promice. Show all posts
Showing posts with label promice. Show all posts

Sunday, January 5, 2014

ACCORDION




spilling crimson says....
 Accordion appeared in popular music from the 1900s-1960s. This half century is often called the "Golden Age of the Accordion". Three players, Pietro Frosini and the two brothers Count Guido Deiro andPietro Deiro, were major influences at this time.
Most Vaudeville theaters closed during the Great Depression, but accordionists during 1930s-1950s taught and performed for radio. During the 1950s through the 1980s the accordion received significant exposure on television with performances by Myron Floren on The Lawrence Welk Show. In the late 1950s and early 1960s, the accordion declined in popularity.

A folk accordionist 2009
In popular music, it is now generally considered exotic or old-fashioned to include the accordion, especially in music for advertisements. Some popular acts do use the instrument in their distinctive sounds. A notable example is Grammy Award winningparodist "Weird Al" Yankovic, who plays the accordion on many of his musical tracks, particularly his polkas. Yankovic was trained in the accordion as a child.
1831, from German Akkordion, from Akkord "musical chord, concord of sounds, be in tune" (cf. Italian accordare "to attune an instrument"); ultimately from same source as English accord (v.), with suffix on analogy of clarion, etc. Invented 1829 by piano-maker Cyrill Demian (1772-1847) of Vienna.

Wednesday, February 13, 2013

Johann Wolfgang von Goethe



spilling crimson says....Dar
i“If you treat an individual as he is, he will remain how he is. But if you treat him as if he were what he ought to be and could be, he will become what he ought to be and could be.” 
“Nine requisites for contented living: 
Health enough to make work a pleasure.
Wealth enough to support your needs.
Strength to battle with difficulties and overcome them.
Grace enough to confess your sins and forsake them.
Patience enough to toil until some good is accomplished.
Charity enough to see some good in your neighbor.
Love enough to move you to be useful and helpful to others.
Faith enough to make real the things of God.
Hope enough to remove all anxious fears concerning the future.”


“I love those who yearn for the impossible.” 
“Things which matter most must never be at the mercy of things which matter least.” 

 ideas are like chessmen moved forward; they may be beaten, but they may start a winning game.

Johann Wolfgang von Goethe


Wednesday, April 25, 2012

I WILL ALWAYS LOVE YOU~The End of the Affair~



spilling crimson says....The truth has never been of any real value to any human being - it is a symbol for mathematicians and philosophers to pursue. In human relations kindness and lies are worth a thousand truths.

“A story has no beginning or end: arbitrarily one chooses that moment of experience from which to look back or from which to look ahead.” 


― Graham GreeneThe End of the Affair

“Insecurity is the worst sense that lovers feel; sometimes the most humdrum desireless marriage seems better. Insecurity twists meanings and poisons trust.”

“I measured love by the extent of my jealousy.” 

“I became aware that our love was doomed; love had turned into a love affair with a beginning and an end. I could name the very moment when it had begun, and one day I knew I should be able to name the final hour. When she left the house I couldn't settle to work. I would reconstruct what we had said to each other; I would fan myself into anger or remorse. And all the time I knew I was forcing the pace. I was pushing, pushing the only thing I loved out of my life. As long as I could make believe that love lasted I was happy; I think I was even good to live with, and so love did last. But if love had to die, I wanted it to die quickly. It was as though our love were a small creature caught in a trap and bleeding to death; I had to shut my eyes and wring its neck.” 

“If I'm a bitch and a fake, is there nobody who will love a bitch and a fake?” 

“Pain is easy to write. In pain we're all happily individual. But what can one write about happiness?” 
“And there, in that phrase, the bitterness leaks again out of my pen. What a dull lifeless quality this bitterness is. If I could I would write with love, but if I could write with love I would be another man; I would never have lost love.” 
“I'm tired and I'm sick to death of being without you.” 

“When I began to write our story down, I thought I was writing a record of hate, but somehow the hate has got mislaid and all I know is that in spite of her mistakes and her unreliability, she was better than most. It's just as well that one of us should believe in her: she never did in herself.” 


Monaco


♫Monaco - Jean Francois Maurice♫



Thursday, March 8, 2012

“If I can stop one heart from breaking…” Emily Dickinson



spilling crimson says....


“If I can stop one heart from breaking…” 
Emily Dickinson 

If I can stop one heart from breaking, 
I shall not live in vain; 
If I can ease one life the aching, 
Or cool one pain, 
Or help one fainting robin 
Unto his nest again, 
I shall not live in vain.” 




Emily Dickinson

Wednesday, February 1, 2012

El Poder de los Sueños,The Power of Dreams



El Poder de los Sueños, Alejandro Lerner & Soledad Pastorutti

There is a light somewhere where ¿¿are the dreams of mankind?? there's a light inside you ¿¿where dreams are gonna come? to return to wake up do not forget to never stop dreaming Never stop dreaming of a light is not shining from within since childhood there is a light somewhere in there where my dreams come true beyond the sun across the sea beyond the time that there is a place where I want to go where I want to be Today's fantasy becomes reality beyond the sea beyond the time that there is a place where I want to go where I want to be today's fantasy becomes reality TODAY fantasy becomes reality Beyond the sun beyond the sea beyond the time it there is a place where I want to go where I want to be today's fantasy becomes reality

Friday, January 27, 2012

DREAM MOODS vs REALITY CHECK

spilling crimson says....When you are dreaming, awake or not all images and desires conjured by the unconscious. All your  pleasures, desires, unchecked impulses, urges and wish fulfillment are expressed in   an internal  language in order to preserve your persona in a civilized society like ours.
Your escape from this  struggle is to dream .....concerned with the conscious, the rational, the moral and the self-aware aspect of the mind. 

Morrissey - let me kiss you


Wednesday, October 5, 2011

Natasha St Pier - Vivre ou survivre



Morning hour strikes 
Cry grief 
and returns the wet film 
of the past in the eyes 

Court too short our love
And the cries for help deaf does not know that what he wants and yet he wants to live or survive without poem Without hurt those who love him be happy Unhappy Living alone or even two , but live forever without speech without velvet Without unnecessary phrases one old photo novel Flowers fade and die Black and whiteonly color for a future that is already the past for both of us and yet
 we must live or survive without poem without hurting those who love us be happy Unhappy
 Living alone or even two and yet we must live or survive without poem without hurting those who love us be happy Unhappy Living Alone or even two , but live in silence
Thinking suffering from the earth and say we're not the most unfortunate but when in love breaks all the misery of the whole world is nothing compared to a Farewell And yet I want to live or survive without poem without hurting those I love be happy Unhappy 
Living alone or even two ...  live or survive only two or even  ...





Monday, July 11, 2011

MAULA MERE ~ANWAR (MY GOD)

spilling crimson says....God is most often conceived of as the supernatural creator and overseer of the universe.
Many arguments which attempt to prove or disprove the existence of God have been proposed by philosophers, theologians, and other thinkers for many centuries. In philosophical terminology, such arguments concern schools of thought on the epistemology of the ontology of God.

Stephen Jay Gould proposed an approach dividing the world of philosophy into what he called "non-overlapping magisteria" (NOMA). In this view, questions of the supernatural, such as those relating to the existence and nature of God, are non-empirical and are the proper domain of theology. The methods of science should then be used to answer any empirical question about the natural world, and theology should be used to answer questions about ultimate meaning and moral value. In this view, the perceived lack of any empirical footprint from the magisterium of the supernatural onto natural events makes science the sole player in the natural world.
Another view, advanced by Richard Dawkins, is that the existence of God is an empirical question, on the grounds that "a universe with a god would be a completely different kind of universe from one without, and it would be a scientific difference."
Carl Sagan argued that the doctrine of a Creator of the Universe was difficult to prove or disprove and that the only conceivable scientific discovery that could challenge it would be an infinitely old universe.

Monday, July 4, 2011

Yanni - Nostalgia - Royal Albert Hall, London




The term nostalgia describes a yearning for the past, often in idealized form. The word is a learned formation of a Greek compound, consisting of νόστος (nóstos), meaning "returning home", a Homeric word, and ἄλγος(álgos), meaning "pain, ache". It was described as a medical condition, a form of melancholy, in the Early Modern period, and came to be an important topic in Romanticism.

source WIKIPEDIA
In common, less clinical usage, nostalgia sometimes includes a general interest in past eras and their personalities and events, especially the "good old days" of a few generations back recast in an idyllic light, such as the Belle Époque, Merry England, Neo-Victorian aesthetics, the US "Antebellum" Old South, etc. Sometimes it is brought on by a sudden image, or remembrance of something from one's childhood.

Sunday, June 26, 2011

Friday, June 24, 2011

Luca Carboni Farfallina









spilling crimson says...



A flower in the mouth can serve ...
I will not promise but where flights
butterfly
not you see I am here
as a flower
like a lawn
I were you
I would support to tell
such
as you live
you could tell me
little sister
what you believe you are
what you hope
what dreams
grow up you do
if you get stuck
against the wind
or push more than you
fear that some nights
we'll never feel alone
So alone to
be fed up
if you need for affection
when you need it like me
if you need affection
and something that is not
... for you between joy
and pain
that is the difference
you want children
so their children
or do not ever think
, and sex is a problem
or not
seems free and happy
, or sometimes a little cry '
It is said around
butterfly
you soul you did not
do and how
little one
to say yes or no
I do not think I'm crazy
if I'm talking to you
is that they are only
little sister
too so just
I need love
to keep me with you now
I need love
I need you too
need love
and something that is not 
love ...



Thursday, June 23, 2011

Olivia Newton John - Just the way you are

spilling crimson says....

Wednesday, June 22, 2011

Somewhere In Time ~John Barry



spilling crimson says....A 1980 time travel romance film based on the novel Bid Time Return written by Richard Matheson.

Film Director : Jeannot Szwarc

Starring : Christopher Reeve, Jane Seymour, Christopher Plummer, Teresa Wright.

Music : Somewhere In Time
Composer : John Barry




Reeve plays Richard Collier, a playwright who becomes smitten by a photograph of a young woman at the Grand Hotel. Through self-hypnosis, he travels back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). But her manager William Fawcett Robinson (portrayed by Plummer) fears that romance will derail her career and resolves to stop him.
The film is known for its musical score composed by John Barry. The eighteenth variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also runs throughout the film.

In the novel, Richard travels from 1971 to 1896 rather than 1980 to 1912. The setting is the Hotel del Coronado rather than the Grand Hotel. Unlike in the movie, he is dying from a brain tumor, and the book ultimately raises the possibility that the whole time-traveling experience is merely a series of hallucinations. The scene where the old woman hands Richard a pocket watch (which an older version of himself had given to her) does not appear in the book. Thus, the ontological paradox generated by this event (that the watch was never built, but simply exists eternally) is absent. In the book, it is two psychics, not William Fawcett Robinson, who anticipate Richard's appearance. And Richard's death at the end is brought about by his tumor, not heartbreak.





Somewhere in time
You came into my world
Love was beyond what I imagined love would be
Now just a dream
I hold till the end of time
Hoping someday we'll find what we left behind

There'll come a day
Our paths will meet again
We'll cross the bridge of time and space to a love that's free
No more goodbye
No lonely waiting
That'll be our day to love,to live all our dreams

If we believe and keep alive
The hope that love will stand the test of distance and time
Then we shall find our new tomorrow
Somewhere in time

Someday there'll be no time between us
There'll just be endless days for us to love and share
We'll rise above the tears of our lonely years
Into a world beyond today
In another somewhere...

Tuesday, June 21, 2011

♫ Anastasia - 'Once Upon A December' Lyrics ♫



spilling crimson says....

Reflection - "Anastasia" Ingrid Bergman



"Reflection" by Christina Aguilera of the 1956 movie ANASTASIA with Ingrid Bergman.

Thursday, June 2, 2011

SILENCE It is better wither to be silent, or to say things of more value than silence. Sooner throw a pearl at hazard than an idle or useless word; and do not say a little in many words, but a great deal in a few. Pythagoras (582 BC - 507 BC)

spilling crimson says...It is a great thing to know the season for speech and the season for silence.

Seneca (5 BC - 65 AD)

Silence is more musical than any song.



Christina Rossetti (1830 - 1894)

I think the first virtue is to restrain the tongue; he approaches nearest to gods who knows how to be silent, even though he is in the right.



Cato the Elder (234 BC - 149 BC)

Monday, May 30, 2011

Pulp - Razzmatazz






spilling crimson says....Crimson is a strong, bright, deep red color. 

Razzmatazz

Razzmatazz
— Color coordinates —
Hex triplet#E3256B
RGBB(r, g, b)(227, 37, 107)
HSV(h, s, v)(338°, 84%, 89%)
SourceCrayola
B: Normalized to [0–255] (byte)
Displayed at right is the color razzmatazz.
This color is a rich tone of crimson-rose.

Thursday, May 26, 2011

SING,SING,SING WITH A SWING BY BENNY GOODMAN 1937





spilling crimson says....The verb "to swing" is used as a term of praise for playing that has a strong rhythmic "groove" or drive.
With the wider acceptance of swing music around 1935, larger mainstream bands began to embrace this style of music.Up until the swing era, Jazz had been taken in high regard by the most serious musicians around the world, including classical composers like Stravinsky; swing on the contrary, with its "dance craze", ended being regarded as a degeneration towards light entertainment, more of an industry to sell records to the masses than a form of art. Many musicians after failing at serious music switched to swing.
Swing jazz began to be embraced by the public around 1935. Prior to that, it had had limited acceptance, mostly among black/african-american audiences. 
Radio remotes increased interest in the music, and it grew in popularity throughout the States.
With the discovery of the Lindy Hop(named by Lindbergh's flight)  and the Jitterbug(a bouncy six beat variant was named the "Jitterbug" )the communities began dancing to the contemporary Jazz and Swing music as it was evolving at the time, with Benny Goodman leading the action. Dancers soon incorporated tap and jazz steps into their dancing.
It is mostly used to introduce a sequence of a style strongly centered upon the human body with 
of four main aspects: centering, balancing, frontality and depth.

The dancers are active and goal oriented.